魔鬼的陷阱

7.3

主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan

导演:Kate Moyer,利普丽·索博,清原梨央

剧情介绍

《魔鬼的陷阱》影片介绍:In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.... 详情

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影片评论

  • 猪也能爬树:刚刚
    有野心,把野心写在脸上,其实并不是一件完完全全的坏事。野心其实更像是催人上进的动力,有野心才会有新的进步!
  • 墨染白霜:分钟前
    这一看似和主线无关的闲笔让人为之动容:虽然身份卑微,但小凤仙却深藏着一颗爱国之心,这个细节丰富了她的人物形象,也为后面甘愿冒死帮助蔡锷埋下了伏笔。
  • 七分浅茶:2分钟前
    但耻度除了体现导演的个人趣味外,还揭示了菲律宾腐败政坛对青春肉体的饕餮掠食。
  • 挺大个脑袋:3分钟前
    在战争中,僵尸王子想起花仙子“小万”是他失别多次的爱人,并救了她。
  • 轻风小辣椒:分钟前
    那是因为他家人根本就不了解他         就像上海轰动一时的杀妻案,那个男的把自己的老婆杀害冷冻在冰柜里好几个月,自己还出去逍遥旅游,和别的女的鬼混开房。
  • 莫停停:1小时前
    二,乡镇概况 藤州镇 ??藤州镇位于滕县东南原藤市,东钱湖,天津北三镇,建立联合县居民。
  • 灵小小:5小时前
    其次,国际象棋里威力最大的棋子是皇后,突出了西方封建社会中皇后的地位及作用(因为政治联姻,故后代表第三方联合军的支援,另外中国象棋里根本就没有皇后)。
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    接下来的工作就是关小火了,把火关到刚好酱可以开着,但开得不是很大的地步。
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    多年以后,家庭主妇娜美在去医院探望母亲时偶然重逢了身患绝症住院的春花,后者希望在生命的最后两个月内,能够再见当年的Sunny成员。

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